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route99west.com/addendum
is an occasional journal of Oregon, from arts and books to public policy & transportation.
All content © 2006- by Alexander B. Craghead, except where otherwise noted.
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Review: Here There Nowhere
The Ephemeral 'Net
Meet the G9
Portland Streetcar Obamamania
Bachelor's Special #1: Instant Noodles Review
Week in Review... in review.
Week in Review, Vol. XI
Week in Review, Vol. X
Week in Review, Vol. IX
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Other Notable Blogs
Cafe Unknown
Travel, History and Portland Oregon by Dan Haneckow
Jack Bog's Blog
By Jack Bogdanski of Portland, Oregon. (Like he needs any other introduction by now? -- A.B.C.)
For Portlanders Only
"Why buy a mattress anywhere else?"
Good Stuff NW
Featuring stuff that is good in the NW
LOST Magazine
LOST Magazine is an online monthly magazine that combines elements of many other literary, online, and national magazines with a singular mission--to reclaim in writing lost people, places, and things.
Mapes on Politics
Way West of the Beltway
Outside Is America
A journal about photography, roadtrips, trains and life, with occasional detours into movies, baseball, music, family and more.
The Photographers' Railroad Page
Good photos usually have good stories to go with them.... The goal of The Photographers' Railroad Page is to provide an outlet for top quality photographs and their story.
Portland Food & Drink
Throwing Ourselves on the Grenade of Bad Food to Save You
Portland Transport Blog
A Conversation About Access & Mobility in the Portland/Vancouver Region
PowellsBooks.Blog
Authors, readers, critics, media -- and booksellers
Rambling West
The musings of a farmer with a typewriter and camera
Stumptown Confidential
Documenting Portland, Oregon architecture, history, and culture through photos, postcards, and words.
The Unauthorized Observer
Observations on faith, photography, trains, baseball, the city where I live (Fullerton, Calif.), anything that I find funny (a lot of things) or irritating (some things) and various incidents involving friends and family.
Under the Weather
...the open road, fatherhood, family life, music, railroads, photography, popular and unpopular culture, sex, violence, religion, the oppression of consumerism and capitalism and the general bullshit that makes up modern life.
Urban Planning Overlord
A blog to counter the myths, lies, and demagoguery others use against sound city planning to further their own ends, fair and foul - but also to urge the profession itself to pull back from the occasional wretched PC exces.
VanPortlander
Living in Vancouver; working in Portland. I have some thoughts.
Whiskey, Texas
...life and experiences in Texas and the Southwest. Recurring themes: Photography, railroads, fading ads / ghost signs, fallen-flag railroad logos, boxcars, bicycling, Texas music, pop culture, sports, road trips, literature, kids and family.
World Scott
The Travel Writing and Photography of Scott Lothes
Blegs & Bargains
Amazon Book Wishlist
B&H Wishlist
My eBay Listings
Powell's Books Wishlist
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Saturday, July 5, 2008
The Ephemeral 'Net
I can still remember, as a child, my mother's big oaken desk. It was sturdy, if a little worn, with a black blotter top and drawers that were heavy and deep. It was always a cornucopia of sensations: sticky translucent yellow glue, a Swingline stapler in a very 1970s dusky pink, stamps with perforated edges from back in the day when you had to lick the backs to make them stick to anything. There were tons of multicolored pens lurking in the lap drawer, most dry and useless. There was almost always a bottle of ink, with an acrid, new-rain smell and a color somewhere south of violet and north of blue sky blue. When I think back to that desk it is no wonder that I became a nut about ephemera.
The desk serves on today, but with slightly less pizazz. While it still holds checkbooks and postage and envelopes and the like, it also serves as a stand for a three year old iMac. I'm reminded of my own "desk" a bit, and the war that always goes on between the space my computer takes up and the space I need to spread out my eight-and-a-half-by-eleven redundant memory aides. (They used to call that paper in the 20th century.)
Earlier today I used my computer and the incredible power of the Internet for a very non-technical purpose: to find labels. You know the type: gum backed, with a little foil edge, the kind that used to go on the marbled covers of composition books, the kind that used to lurk n my mother's desk. I didn't find any, but much like when I go searching Wikipedia, I ended up making what a friend calls a "wiki-tree" of strange ephemeral goodness. Follow along, all you fellow paper geeks!
First up is Donovan Beeson, who makes various handmade stationery products and sells them on her Etsy page. Handmade envelopes, custom journals, shipping labels. All very cool stuff. Donovan also has a blog, Murmurs and Musings, which focuses naturally enough on the lost world of paper. While browsing through her archives, I found a post point towards sarcastic stationer 16 Sparrows, who had begun a campaign known as the "Letter Writer's Alliance". (You can buy LWA stationery here.) The LWA mission is, and I quote:"In this era of instantaneous communication, a handwritten letter is a rare and wondrous item. The Letter Writers Alliance is dedicated to preserving this art form; neither long lines, nor late deliveries, nor increasing postal rates will keep us from our mission. As a member of the Letter Writers Alliance, you will carry on the glorious cultural tradition of letter writing. You will take advantage of every opportunity to send tangible correspondence. Prepare your pen and paper, moisten your tongue, and get ready to write more letters!" I always find it amusing to see the net used for these sorts of projects. Paper hasn't died, it's just become a fashion symbol! It's probably no surprise this kind of thing is up my alley, after all I do shop a Blue Moon Camera and Machine.
Another source for ephemeral goodness is PodPost. Sadly, their "Pod Post Mail Art Bento" is out of stock. Too bad, too, it combines all my love of ephemera and otakuness in one convenient bundle. Drat!
As I skipped along, I also ran into busynest cards. Busynest focuses on a very lost art -- the calling card. There's some really nice graphic design work here. These cards really do drive home the odd mixture the Internet has brought about: an out-of-date practice (calling cards) married to a very sleek and modern graphic design and sold worldwide over the 'Net. The 21st century is a strange place.
As for calling cards themselves? This page has the scoop on what they were and why. Interesting tidbits: a calling card doesn't include where you work, and includes your profession only if it gives you a title (M.D., General, etc...), as including your place of work or firm makes the card a business card, and therefore socially inappropriate to leave as a calling card:"it was considered to be in very poor taste to use a business card when making a social call. A business card, left with the servants, could imply that you had called to collect a bill." Interestingly, what we consider today to be a business card -- flashy pictures, promotional saying, establishment name displayed prominently, and so forth -- was not at that time considered a business card at all, but a "trade card".
Now, where did I put my Fedora?Labels: Art, Design, History, Technology
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Monday, April 21, 2008
Meet the G9
Although I am a die-hard film shooter, I've been pondering buying a digital camera for some time now. Top on my list has been the Canon Powershot G9. (Canon info here, Digital Photography Review thoughts here.) Part of Canon's extremely well made G series of point-and-shoots, it is a top of the line machine: slim, sleek, and extremely capable.
 The Canon Powershot G9, courtesy khedra @ flickr
So I went out and bought one. As a friend of mine said to me when he heard the news, "it's a sign of the apocalypse!"
Now that I've had it a few weeks, I thought I'd put up a few images and share a few thoughts.
All of the following images have been resized and tweaked in Photoshop Elements 3.0; none required more than some levels adjustments and a light use of the unsharp mask. Overall I like my images more contrasty, so the tonal range is a bit more limited here than what the camera produces straight up. All were shot at ISO 400; this is the typical ISO I favor for film, so I felt it was a good starting point to evaluate the camera.
 A petition gatherer on a westbound MAX Blue Line train on April 8th, 2008. Shooting people shots, street photography, and the like was the focus of this purchase. Using the G9 was far less intrusive than the n80 with its massive battery grip. Composing from the view screen, however, means I'm still a bit slower.
 The driver's side headlamp from a Triumph Spitfire. This was an attempt at a macro shot, and I used the camera's manual focus mode to fine tune a shallow depth-of-field image. Here I felt the LCD panel was helping a lot. Additionally this was using the camera's built in "black and white mode". I haven't yet compared this to channel mixing and the like.
 Another shot using the camera's built in black and white mode: here, detail from the truck of a flatcar in Roy, Oregon. The original had far more tonal range; I've taken my usual contrast upping method to it.
 One of TriMet's 200 series MAX cars, waiting at the Hatfield Government Center in Hillsboro, Oregon, on the afternoon of April 11th. I was very happy with the good tone and smoothness in this image.
 A burnt out building in Portland's Central Eastside Industrial District. Note that even at f/7.1 -- near to the cameras maximum f/8.0 f-stop -- there is some sun flare from shooting towards a bright object.
 Posters advertising a PBS special in part of Portland's Central Eastside Industrial District. The light was rather poor, and the camera didn't fix that. It also didn't make me breakfast the next morning. I better talk to my shrink about this.
 A stairwell from the B. P. John Building on the campus of Marylhurst University. This was handheld at 1/30th, not all that shocking really. What was more shocking is that I also got decent, usable images shot at 1/8th of a second. So far the minimal light performance on the camera is pleasing me.
None of these images is part of a real test of the camera's limits. As Summer progresses I'm sure I"ll put the G9 through more trying circumstances and see how it fares. Initial reactions, however, is that the camera performs very very well -- but it's not a professional camera. When I'm really pushing the limits, the n80 with its elegant control layout and its proven, known responses is still the winner. And when I think of making long-term, serious images, its still my first choice.
However -- and this is a big however -- the world is more and more digital. When it comes to sharing photos of your latest project, or wanting a snapshot camera for a day trip, or needing to get an image shot and emailed in short order and still have it be useable for print, the G9 is awful hard to beat. Plus the camera allows me to keep shooting without cost or equipment concerns, keeping my skills sharpened. No, it's not one of the four horsemen, but it is a useful addition to my photographic toolbox.Labels: Art, Photography, Technology
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Thursday, January 31, 2008
Week in Review, Vol. VIII
There's been a lot of infrastructure news this week. First up, Seattle's Sound Transit might get an expanded authority to oversee general road projects in the region. I'm not sure if this idea is a boon of synergy or a monopolistic boondoggle.
Rail has been front and center in a lot of the news. In Oregon, Governor Kulongowski has told the Central Oregon and Pacific that there will be no discussion of helping out with maintenance or rehabilitation costs unless the company reopens the Coos Bay line first. (Good for Ted!) Meanwhile, the Port of Tillamook Bay's coastal line has until February 7th to get their FEMA request in. I don't know if this means they need their 25% share by then, or just a pledge towards it, or what, but I can hear a loud ticking reminiscent of the intro to 60 Minutes. Lastly, a proposal to restore the Amtrak Pioneer continues to drag along.
Then there's the continuing saga of the bridges. Of note: Salem wants $680 million for a new one, while the Portland metro area's new Columbia River crossing just may not pencil out.
At the rate that infrastructure costs are climbing, we'd either better start flooding the market with steel to bring prices down, or face the possibility of reduced weight capacities and a reduced flow of people and commerce.
* * * Meanwhile developments in cellulosic ethanol may make this plan obsolete before it's finished. Hat tip to Bojack.
In related auto news, Autoblog gets a first drive of the Tesla, and reports that speed bumps aren't green! Finally, a PC reason to get rid of those bone-shakers!
Oh, and one more via Autoblog: the strangest cooking contraption ever. If George Foreman endorses it, watch out America.
Lastly, news that Jaguar may be planning a hard-core sportscar. I'm drooling already.
* * * Lewis County was hit pretty hard by the flooding on December 5th. Among the victims of the rising waters was the Black Sheep Creamery. Irony of ironies, while the local residents hand-wring over the reopening of the local Wal-Mart, the creamery is relying on rebuild money from a fundraiser in -- guess where? -- Portland.
Am I the only one who finds it strange that it's the cities of the region that may be the salvation of small family farms?
* * * Speaking of food, Good Stuff NW reports of the rebirth of a local grocery store. My only question, can I have one in my neighborhood? Please?
And in Seattle, things aren't all they are cracked up to be. Says Portland Food & Drink's "Food Dude", "No wonder our washed up restaurateurs are ending up in Seattle."
Ouch.
* * * Before I go, a two photographic notables around the web this week include a photo essay by Martin Burwash the decline of rural Washington, and a nice collection of images from Elrond Lawrence on the vintage signs of Salinas. Love the neon, El.
Take care, all.Labels: Automobiles, Food, Media, Photography, Public Policy, Railroads, Technology, Transportation
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Thursday, December 20, 2007
Week in Review, Vol. III
The Willie Week has an article on the future of garbage hauling in the Portland region, specifically in how to get it to Arlington dump. Overall it's not bad, but writer Nigel Jaquiss does make one mistaken statement:
"Barges and trucks cost about the same."
No, no they don't. Look earlier in the piece for the answer:
"The trash currently travels by truck. Every week, according to Metro, more than 350 tractor-trailer loads, each carrying about 31 tons of trash, roll up I-84 to the Arlington dump... (By comparison, four barges linked together carry 280 truckloads of trash in one voyage.)"
That's 70 trucks per barge. So each week, we'd have 350 fewer trucks on I-84, thanks to the use of just seven barges. I think that's a net gain for commerce and transportation, not a "cost"
* * *
Has anyone seen the new diner-lounge cars destined for Amtrak's City of New Orleans? Very nice, and very... familiar? They look like the inside of the Cascades Bistro Car, just a little.
* * *
In related news, it appears that Paul Weyrich has converted another politician to support passenger rail:
"Commissioner Tom Skancke of Las Vegas, Nevada, also spoke: 'At the Commission's first meeting, I was sitting next to [Commissioner] Paul Weyrich. One of my opening comments on transit and inter city passenger rail was that 'transit and passenger trains don't work in the west. We don't zone for it and people won't use it...' ...Over the past 18 months, Paul and Frank [Busalacchi] have done a marvelous job of educating me and the rest of the commissioners about passenger rail and transit. I'm now an advocate and believe rail is the future of transportation in the U.S. It has to be." Between the rapid growth of commuter rail options in the west, the continuing success of light rail in Western cities, and tremendous ridership growth on Amtrak corridors in the region, it's getting harder and harder to make the case that rail only works in the Northeast.
* * *
The drama in Southern Oregon isn't getting any better. The Central Oregon & Pacific railroad announced on Monday that the Siskiyou rail line between Medford, OR, and Weed, CA would likely close in April of 2008. This is the second major line closure from CORP this year, following their abrupt shutdown of the Coos Bay branch earlier in the fall.
Interestingly, this week also saw the announcement by the Oregon Department of Transportation of the qualifying participants in Connect Oregon II. Notably, the International Port of Coos Bay has a project on the list to repair the branch, and also has an expenditure request for money to purchase the line. For ODOT to overtly court a proposal for the Port to purchase the line is a slap in the face to CORP, whose short notices and poor communication have earned it the enmity of political and business leaders in the region, including the operator of Oregon's largest lumber mill.
And so the rusty wheel turns.
* * *
In the "really cool news" department are the plans for a joint Jaguar-Land Rover high-tech design studio. The facility will make use of advanced 3D rendering and virtual reality techniques to create an automotive design studio that is truly worthy of the 21st century.
* * *
Explain to me how this works, someone.
Crime hits MAX on the east side of Portland. Gresham, East County, etc....
Big summit on transit security is convened.
West side gets more police.
Huh?
* * *
While we're on the subject, how about the transit project that will not die?
The Trib reports that it's complicated by the Sellwood Bridge project too.
I have a lot of thoughts on this one, but I'll spare them for an in-depth post at some future date. For now, though, I'll just say this: is there any transit project in the metro area with a longer record of failure to move forward?
* * *
This week, the Boston Review posted a story about historians' renewed interest in Alexander Hamilton with a rather amusing statement:
"This year, Hamilton crossed all the way over to pop. The once 'forgotten founder' is now the subject of a PBS American Experience feature, which aired in the spring and is likely to live on in classrooms on DVD." American Experience. Pop. Wow. I'm not sure what world the writers at the Boston Review live in, but is there any world where a PBS documentary show is "pop"?
* * *
Not to get up the nose of VanPortlander, but here's another Portland MeMe. Drexel University's The Smart Set published an article on a new-age do known as the Body, Mind, and Spirit Expo. Guess where the 2007 digs were?
Mmhmm.
* * *
I've always been a lover of signs. Street signs, advertising signs, railroad signs, you name it. Sure, you can go overboard, but even then, there's an intensely human vitality to such overkill.
Occupying the opposite end of the spectrum are the small towns of Texas, as posted on Wiskey, Texas' blog. Nice work, Wes. Its funny how many of those signs make me think distinctly of Texas, and how many of them also make me realize how little difference there amongst the Western states at times.
* * *
Congratulations to the Center for Railroad Photography & Art at Chicago's Lake Forest College marks its tenth year this December.
Earlier this fall, the CRP&A started up a web-based version of it's magazine, Railroad Heritage. Photographers and artists alike, check it out.
* * *
Christmas is coming soon, and New Year's too. Smack dab between the two, and overlapping a bit, I'll be taking a bit of time away from my usual routines. It's quite possible this will be the last Week in Review for the year. Who knows, though; when you write your posts offline you can get a lot done even when you don't have Internet access. Or want to admit to the world you were awake to post. Heh.
Here's wishing everyone a Merry Christmas, and as they say in Vienna, ein Prosit Neujahr!Labels: Photography, Portland, Public Policy, Railroads, Technology, Transportation, Week in Review
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Tuesday, November 13, 2007
The Ultimate Camera Test-Drive
War correspondent Micheal Yon goes over the ins and outs of cameras for some real high-pressure shooting environments -- war photography.
"When the Nikon D70 got combat stress, I jumped out of the pool and into the Bering Straits of digital cameras. Drum roll . . . I opened the box . . . the Canon Mark II 1DS. Welcome to photography hell! No dummy buttons. The engineers apparently assumed the owner actually knows something about photography to spend $8,000 on a camera body. You make a wrong move with the Canon Mark II 1Ds, and your photos are trash." Yes, sadly, he jumped ship to Canon, the Toyota of camera makers. Still, his comments about idiot buttons are right on the mark.Labels: Journalism, Media, Photography, Technology
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Saturday, October 27, 2007
The Continuing Demise of Film: And So it Goes....
I am an adherent of film-based photography. The advances of quality and ability in digital photography are by no means small. Add to this that a lot of friends shoot in digital. However, those aspects do not interest me. My background in the visual arts comes from painting, watercolor in specific. The textural, sensual feel of making the art, the sense of craft that comes from an all-analog process, these are the things that attract me to photography. This is why it's become a passion alongside my painting, instead of just a mechanical sketchbook.
Unfortunately my current living situation makes developing and printing at home impractical. In addition, developing slides is very nearly impossible at home, involving a process that is far more touchy and hazardous. Because of this, I've done most of my developing with labs. Portland, a capital of the advertising industry, was at one time blessed with pro labs who offered top notch work and fast turnaround.
Of course, the digital revolution has changed all that. My first pro lab, Wy'East Color, went out of business not long after the media industry implosion that followed the 2001 Dot Bomb. Following that, I began to use a gem of a lab, PhotoCraft. The lab was located on the third floor of the Oregon Pioneer Building. The base level of the building houses the famous Huber's. PhotoCraft offered a quick turnaround of 4 hours for film developing. The result was that whenever I needed to handle developing, I'd just hop an early express bus downtown, drop the film, then go kill four hours exploring downtown. I always meant to get to eating at Hubers, reasoning I'd stop by and have a Spanish Coffee and one of their trademark turkey sandwiches.
Earlier this year, the Photocraft offices moved one door down, to a smaller space. At the same time, they reduced their hours. I began to sense something might be closing in.
Fast forward to this August, I returned to Ohio to visit friends and do some photography. Once I returned, I had a small pile of Fuji slide film to deal with. Since I was broke, I tossed them in a Ziploc and threw them in my mini-fridge. Motivation didn't strike until a week ago. I hadn't been downtown since July, so I was looking forward to the trip, figuring I'd do a bit of walking around, maybe checking out the progress of construction on the Bus Mall. In through the doors of the building, up the elevator, down the hall... to a darkened door.
The course of things had finally taken it's toll. As of August 20th, the lab's retail film services had closed.
This isn't to say I'm without options. Thankfully, Blue Moon processes film as well as maintaining it's stock of retro-cool cameras and journalism-related gear. (It's like stepping into 1965 there.) But of course, there's no 4 hour turnaround at Blue Moon. Plus, they are located in St. Johns. As much as I love St. Johns with its nostalgic yet healthy blue collar feel, it's an additional twenty minutes away for me and not easily accessed via transit from the depths of suburbia.
I'm thankful for Blue Moon. Many places don't have it so good. And I have to say their work was excellent. But all the same, I'm saddened to see this latest turn of events. I'll always shoot real, honest-to-goodness black-and-white film, but at least as far as color photography goes, I suspect it's only a matter of time before I go digital.Labels: Photography, Portland History, Technology
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Thursday, October 25, 2007
History Repeats with MAX
In Spring of 2005, TriMet was planning its "Green Line" extension to Clackamas Town Center. At the time, I was living in Olympia, but I was in Portland on assignment from TRAINS Magazine, doing a photo shoot and interviews for a story on Portland Union Station.
During the course of my research, I discovered one of those rare, history repeating moments. The new MAX line was being planned to run off the Steel Bridge and down to the Bus Mall just before Union Station. As a result, it would be "cutting off" two historically notable structures -- a closed firehouse at 3rd and Glisan, and a structure called "VC Tower".
VC Tower, for those of you who aren't railroad enthusiasts, is a two story brick switch control tower. it was built about the time that the current Steel Bridge was constructed. From inside of it, operators used to control the switches at the South end of Depot Yard at the feet of Union Station, as well as the junction of tracks that lead onto the bridge's lower deck. It was one of the last such manually operated switch towers in the country, having closed in 1997, when owner Union Pacific automated it all for remote control from its dispatching center in Omaha.
Since then, it sat empty, with most of its controls cut off but still intact. Over the last decade, it has been abused, left to the weather, lived in by transients, and subject to all the other prices that are paid by essentially abandoned buildings in an urban area.
What I learned on my shoot in Portland, however, was that the building had a potentially bright future. The North end of the bus mall was destined to become a major junction point for MAX, with tracks coming off the Steel Bridge dividing to loop along the mall. Rather than house the electronics for these switches in some nondescript aluminum box, TriMet decided to kill two birds with one stone; the switch gear would be installed inside of long-abandoned VC Tower.
Fast forward to the present. Just this week, TriMet began to make these plans into a reality. Out goes the old interlocking machine. Soon the building will be cleared out and prepared for the installation of 21st century switch and communication electronics. Although there will be no operators in the building, as there once had been, it's still essentially a return to the original duty for the structure. For a history addict like myself, the symmetry and poetry of this is irresistible.Labels: Portland, Portland History, Technology, Transportation
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Saturday, October 20, 2007
The Cat and Her Nine Lives
My love of British cars -- or at least those that were deemed worthy of export to the United States -- should be no secret. I grew up in the back seat of a heavily modified red 1959 Triumph TR3. Over the years, members of my family have owned TR4's, TR6's, MGBs, MGB-GTs, Sunbeam Alpines, Austin-Healy Sprites... and that's all just in my lifetime! The car I perhaps have heard the most about, however -- after the TR3 anyway -- was a Mark II 3.8 Jaguar saloon. Made most famous as the car that BBC/PBS' Inspector Morse drove, my parents owned a Burgundy red model until the late 1970s. It fell victim to the expanding family disease, and my only first-hand knowledge of it comes from a burled wood dashboard spare that my father has kept ever since. It is a very nice dashboard.
So it shouldn't be a surprise that growing up, I lusted after Jaguars, first the XJS, then later the XK. It's perhaps because of this that I've always held a soft spot for the Jaguar car company, and cheered it on even while knowing I was far from likely to be able to own one anytime in the foreseeable future. When the troubled maker announced the new C-XF concept, I was fascinated, and wrote about it here. Stylish, ultra-modern, and shapely, the car broke many Jaguar traditions in an attempt to hold up one very crucial one, the notion of a sedan that had guts, what Jag designer Ian Callum called, in typically British jargon, a "sports saloon".
Jaguar's in a deep bind, and its troubles are much the same as Cadillac's had been for the last twenty years, namely being the "fuddy-duddy" car, with little excitement or passion. Result? Declining sales and a shrinking, increasingly geriatric buyer base. Not exactly a growth formula. Some of the U.S. executives of the company hatched a plan to save the company in 2004 that would have seen the maker return to it's racing-inspired roots. The plan, however, was killed by defenders of the status-quo.
Now, however, the upper echelon at the Cat seems to have learned the hard lesson. Sales of the X-Type, meant to be an All-Wheel-Drive BMW-killer, never met expectations, while time has shown the S-Type to be an over-styled poor substitute for the Mark II whose styling it more parodies than parrots. Ford has put the company up for sale, placing all the more pressure on the company to prove itself healthy enough to be bought for more than just a Chinese name-badge grab.
Make no mistake. Jaguar needs the XF. Since revealing the C-XF, (Concept, XF), Jaguar removed the X-Type from the U.S. market; the XF production variant of the C-XF will, once it hits the market, replace both of Jaguar's middle-market sedans. If it succeeds, Jaguar will prove itself a viable investment. If it fails, it may sink the company.
But what would it look like? Production cars, industry wide, are rarely as exciting as the concept cars they are based upon. Despite raising pulse rates, concepts are usually far watered down, in fear of the risk of aggressive styling losing the pre-existing customer base for the product. Caddy's angular transition was perhaps one of the rare exceptions to this rule. (It's also one that's paying off well -- the CTS has proven a winner for Cadillac owner GM). Would Jaguar follow the rule, and water down the C-XF to a milquetoast sedan?
Recently, Jaguar revealed the new XF. The exterior styling is by far more conservative than the C-XF, most notably reducing the radical headlight shapes and toning the overall body shape into a more submissive shape. Ironically like the Cadillac CTS, in some ways photos do not do justice to the styling. At first, this was a disappointment, but I have to admit the styling has grown on me. This photo alone sells me on the heartbeat racing Jaguar feel the car has, in a way that no XJ series sedan, even the original XJ-6 of 1968, has had.
And the interior? While not quite as dramatic as the neon-glow infused C-XF interior, it still sports a clean minimal look heralded by some as the best luxury sports sedan interior on the market. Indeed, from a functional standpoint, it was designed with Apple Computer, known for their elegant interfaces. Note, too, the return of that Jaguar standby, burled wood trim. While a step into the past, the treatment appears to me modern enough not to be an anchor, while traditional enough to satisfy the need for some warmth as well as brand continuity.
What does it translate to for Jaguar? With such an iconic brand, any step away from the inertia of conservative, backward-looking designs will be met with a love-hate reaction. As Car Magazine UK states, "some insiders call it a Marmite design -- one whose flavour you'll either love or hate." The maker has rolled its dice... and it looks promising. Early reports indicate that there are now more U.S. pre-orders for the XF than supply; in short the XF appears to be on the path to selling out its first batch on U.S. soil.
And if you're Jaguar, you're hoping that's going to last more than a few months.Labels: Automobiles, Design, Technology, Transportation
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Sunday, May 6, 2007
Jaguar's 21st Century Gamble
Jaguar is perhaps one of the most respected British car makers. It is also one of the few traditional British makers to have survived the dark years of British Leyland and arrived in the 21st century. Since 1989, Jaguar has been owned by U.S. automaker Ford Motor Company. Ford has for the most part avoided direct involvement in the company, but Jaguar has utilized Ford technology in recent designs such as the XK8.
The Ford era ushered in an era of nostalgia at Jaguar. The car that is most symbolic of this is Jag's "S-Type". The car was meant to hearken back to the classic lines of the Mark II, one of the icons of Jaguar's "sports saloon" heritage. Unfortunately, the car's design was more like a cartoon of its inspiration. Execution was rather tame and conventional, instead of exciting.
While browsing the net the other night, I discovered Jaguar's promotional site for its advanced design concept. Called the CXF, its is a prototype for the the to-be-launched Jaguar XF, a 4 door sports sedan. The car is meant to break with every trapping of Jaguar tradition -- burled woods, cream leather, &c -- while at the same time honoring the brand's spirit of speed, modernism, and design excellence.
The CXF is distinctively like no car ever produced by Jaguar. The exterior uses a stretched, athletic shape that is erotically fast without sacrificing elegance. It hearkens slightly to the XK, although one might be inclined to view the latter as more having a kinship than being an inspiration for the former. Yet the radically different shape does have some subtle Jaguar "notes". The CXF has an overall arc shape that is like a metaphor for the leaping cat logo. It also has a subtle horizontal curvature when viewed from each end. But again, these are subtleties. The interior is almost spartan in simplicity, and yet is flowing, elegant, and radically modern. Overall, the car exhibits what Julian Thomson, Chief Designer for Jaguar Advanced Design, calls a more "aggressive" side of the brand.
Does it succeed? I think it does, though that is not the same thing as me liking the car. I'm not yet sure how I feel about the CXF. I can say this: I do get excited when I look at the car. It is a breathtaking change with the past. It cannot be confused for the milktoast of the S-Type or the suburban boredom of the X-Type. It makes every other luxury car on the market or planned for the market look boring, conventional, stone age. I wonder though if it breaks too far from the Jaguar mould, whether the Jaguar base will embrace it as a "true" Jag. Yet even if the brand loses some of the traditionalists, I suspect that the design of the CXF is so advanced that it will prove a formidable opponent for other luxury automobile companies.
The CXF's design concept website can be viewed here.Labels: Automobiles, Design, Technology, Transportation
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Thursday, April 12, 2007
Trams! Trams! Trams!
Over at OregonLive, they are reporting about a new tram proposal, this time for Troutdale:
Milwaukie-based Mass Tram America hopes to build wind turbines and solar-panel structures from Troutdale to Mount Hood. They would be used as power and infrastructure for a tram system that would carry passengers and freight -- ultimately nationwide. The current Portland Aerial Tram was constructed primarily for the benefit of the Oregon Health Sciences University, in order to connect the existing "Pill Hill" campus with additional OHSU facilities being built in the South Waterfront redevelopment area.
This proposal, on the other hand, is nothing like that. It does not have the backing of heavy hitters like the City of Portland, or Homer Williams, or OHSU, nor would it involve world-class Swiss engineering firms to build the cars.
Instead, this is a proposal by a "privately owned" (read no-one was stupid enough to invest in it) aerial tram company based in, of all places, cosmopolitan Milwaukie, Oregon! The company, known as Mass Tram America, Inc., appears to be the latest in pie-in-the-sky transportation "consultant" firms that are attempting to huckster our small-time cities out of planning dollars. (See similar recent efforts by "consultant headhunters" regarding a wine train to McMinnville.) MTA has no experience designing or building trams anywhere. The company principles consist of a former realtor and coin-operated carwash operator, and a lower-level Bank of America sales staffer and interior designer. MTA has nobody with education and experience in transportation or manufacturing. Their idea is to build a nationwide network of aerial trams carrying freight and passengers both. It's Jack Bogdanski's worst nightmare. (At least this time Vera Katz isn't playing cheerleader.) The trams would utilize modified former Boeing airframes as tram cars. The ironic thing is there is some precedent for such an improbable design: see the Mount Hood Skyway, which operated using converted busses.
Still, you can't help but feel that if these folks at MTA were approaching somebody like the City of Portland or Metro, they'd be laughed out of the building before they even got a chance to talk to the decision makers. Troutdale, though, seems to be entertaining them, as if MTA really had the ability to do more than put pretty watercolor design concepts on an amateurish website.Labels: Civics, Portland, Public Policy, Technology, Transportation
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